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THE DESIGN CHASER

Pine Island Cottage by Bureau Tempo & Thom Fougere

7.15.2026

Nestled on a secluded island in the heart of Georgian Bay, Ontario, Pine Island Cottage is a serene family getaway that blends seamlessly into its natural surroundings. With interiors designed by Bureau Tempo and Thom Fougere Studio, the cottage unfolds as a series of gathering spaces that cascade gently along the island's sloped stone formations.


The design is rooted in a simple but compelling idea, that the kind of friction we experience outdoors — a rough stone underfoot, some unexpected rain — is what draws us into the present moment. That same tactile quality runs through the interior, from the texture of the wood-grain walls to the grip of flamed stone underfoot in the shower, grounding you in the space and enriching every exchange with it. As Fougere explains, "When visiting the site early on with the family, we spent time walking alongside the mottled, stone-covered beach by the water. Translating that tactile experience into the interior in unexpected ways became a guiding goal — it often came down to finding the minimum touch with the maximum impact."



Guests arrive to a pebble-shaped oak door handle and are led into a low, gently lit, oak-lined entryway. From here, the space gradually opens as floors terrace downward, the ceiling height rises, and the material palette lightens, revealing the main living area below.

At the heart of the home, the kitchen is anchored by a fieldstone island that evokes the feeling of casual gatherings on rocky shores. Complete with a pantry, bar and breakfast nook, the custom cabinetry is crafted in white oak, walnut, and limestone, with every detail carefully considered down to the ceramics, cookware, cutlery, and linens. The pantry has been reimagined as a functional, market-style space with produce and food on full display, while custom trays allow for easy transport of ingredients, coffees, and cocktails to and from the adjacent pewter bar. For Thom Fougere, the kitchen island became a focal point of the entire design process: "It became not only an experiment with materiality, but also a highly functional element of the kitchen — a ritualised gathering point that emerged from many personal discoveries alongside the client and site-specific cues."




Beyond the kitchen, a custom timber dining table and bench overlook a sunken living room with a bespoke walnut sofa and integrated stair. The double-sided hearth, framed by the same fieldstone as the kitchen island, sits at the centre of the cottage's circulation, warming both the interior and the screened outdoor porch.



Lighting is deliberately restrained, kept low and warm, drawing out the richness of each material. As Adam Robinson of Bureau Tempo explains, "We did not want to disturb the serenity of the darkness on the island — how finishes would feel when very dimly lit was paramount in selecting materials." Throughout the cottage, custom-cast wall sconces and wrought-iron handrails crafted by a local blacksmith create a tactile rhythm that ties the spaces together.



The bedroom wings connect to the main living area via a glazed, elevated breezeway. A guest bedroom and children's room with bunk beds sit on one side, while a private office and primary bedroom with ensuite occupy the other. A shift in materials — from concrete to wood to locally sourced Eramosa stone — marks the transition through the cottage, with the stone floor flamed to create a weathered, timeworn appearance underfoot. Robinson notes that this direction was established early: "Conversations about embracing patina and using materials that would age well led to rich material selections and a few unexpected pairings."



The primary bedroom features expansive storage, oak-lined at one end and custom rug-fronted closets suspended on iron frames at the other, softening the room both visually and acoustically. Fieldstone carries through to this space, providing a backdrop to both the bed and vanity. In the ensuite, a custom double-basin stone sink, flamed stone shower floor, and ceramic tub create a warm and unhurried setting for daily rituals.



The result is a beautifully tranquil cottage that feels less designed than discovered — as though the island itself had a hand in every decision.



Photography by Alex Lesage

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Veermakers Opens its First Showroom in Paris

7.06.2026

Swedish design house Veermakers continues its international expansion with the opening of its first showroom in Paris. Located in the heart of Le Marais, the new space brings together furniture, architecture and art in a carefully curated environment that reflects the brand’s dedication to craftsmanship, materiality and timeless design, rooted in the traditions of Scandinavian cabinet making.


Veermakers was founded in 2017 by Swedish interior designer Louise Liljencrantz — whose work I have admired for a very long time — together with K.F.K. Cabinet Makers and Kristin Rudenstam. Following years of creating bespoke interiors for an international clientele through Liljencrantz Design, a shared passion for craftsmanship, materiality and timeless design led to the creation of the brand.

Through her award-winning studio, Liljencrantz has earned international recognition for a refined aesthetic and commitment to lasting quality — values that sit at the heart of everything Veermakers creates. All pieces are meticulously handcrafted in the brand's own workshops in Stockholm and Fiskars, where skilled artisans and master cabinetmakers transform carefully selected materials into furniture designed to endure for generations. Conceived as a hybrid between a design gallery and a private residence, the showroom presents the Veermakers universe in its entirety for the first time. Open by appointment, it offers visitors an immersive experience where furniture, materials and art interact in a setting designed to evolve through rotating exhibitions and new product launches.



The opening marks an important milestone for Veermakers, creating a permanent destination for architects, interior designers, collectors and private clients seeking contemporary design of the highest quality.

“With the Paris showroom we finally have the opportunity to present Veermakers’ pieces the way they are meant to be experienced - up close, where the craftsmanship, materials and details truly come to life. For me, design is about creating objects with longevity, both in quality and expression. The showroom allows us to present our entire universe and create a dialogue between furniture, art and architecture that reflects our Scandinavian roots.” —Louise Liljencrantz, co-founder, creative director and designer of Veermakers.





The Paris showroom brings together the majority of the Veermakers collection in a single curated setting for the first time. Signature pieces such as the SSU Coffee Table in solid walnut, the MAR Dining Table with its deep high-gloss finish, the hand-carved SKS Side Table in mahogany, and the enduring Strict Bar Stool are shown alongside recent additions including the Reed Library Table and Pin Console Table. The opening also introduces several new pieces — among them the Yoshino Wall Lamp, the Hoovs Side Table, and the Set Dining Chair, Veermakers' first upholstered dining chair.

Created specifically for the space, a number of bespoke interior elements — including a custom kitchen and built-in sofa — demonstrate the brand's ability to create complete interior environments where architecture, furniture and craftsmanship merge seamlessly.





Every Veermakers design is developed by Louise Liljencrantz in close collaboration with master cabinetmakers — a dialogue between design and making that runs through every stage of production. Working across workshops in Sweden and Finland, highly skilled artisans combine traditional techniques with modern precision, using carefully sourced materials to produce pieces that are as enduring as they are distinctive.

"Quality is not something added at the end of the process — it is built into every decision, from material selection to the final finish. It is this close attention throughout production that gives each piece its integrity and longevity." —Kalle Kemppainen, Head of Production and Cabinetmaker at Veermakers.




As part of its vision to create a meeting place for art and design, Veermakers will host a rotating programme of exhibitions curated by Louise Liljencrantz. The inaugural exhibition features works by Swedish artist LG Lundberg (b. 1938) — a selection of oil-on-canvas interpretations of the Swedish archipelago, rich in light, colour and atmosphere, that establish a natural dialogue with the furniture collection while bringing a distinctly Scandinavian presence to the space. All works are available for purchase throughout the autumn.

With its first Paris showroom, Veermakers creates a new destination where Scandinavian craftsmanship, contemporary design and art come together in an intimate and thoughtfully curated environment.


Louise Liljencrantz, co-founder, creative director and designer of Veermakers

Photograpy: © Clément Vayssières

Veermakers
65 rue de Turenne, 75003 Paris
Opening 
 September, 2026 — by appointment only

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Ramsgate House in North Bondi by Common Office

5.28.2026

Ramsgate House by Sydney-based practice Common Office was born from a brief with two seemingly competing demands: that the home feel deeply connected to its location in Bondi, while also serving as a private, intimate retreat for a young family. The site's proximity to one of Australia's most popular beaches became the project's defining design parameter.



Balancing domestic privacy with its public surroundings, the project is the result of a complex planning process — one that involved multiple applications, modifications, and ongoing negotiations with council. Central to this was making the case that the building was appropriate for its local context, with detailed discussions around the rhythm and number of arches to ensure the best outcome for the streetscape.


The design reinterprets the classical loggia, drawing reference from the Palazzo della Civiltà Italiana and its history as a ubiquitous architectural tool spanning classical antiquity to modernism. A series of arches establishes a thickened, inhabitable threshold between the streetscape of North Bondi and the interior.

“We conceptualised the home as situated somewhere between Bondi and Miami,” notes the practice. “We wanted to portray a sense of street-facing ornament that was simultaneously pared back to speak an Art Deco language.”




The building is constructed using traditional double — and in some instances, triple-skin — brick. Along the primary facade, the arches are formed naturally through the masonry, functioning as load-bearing structural elements. They frame views, light, and quiet moments of occupation, mediating visibility between the house and the public realm. The loggia operates as an intermediate condition, offering shade and spatial depth while responding to the climatic demands of the coastal setting.




Internally, the curved geometry of the arch unfolds into a sinuous four-storey stairwell that draws natural light through the house. This vertical sequence culminates in a copper-clad pavilion at the upper level — a space for gathering and entertaining, with elevated eastern views toward the beach and ocean. The copper cladding is designed to be dynamic, shifting in texture and appearance as it weathers over time.




To the rear, the arched motif reappears, framing articulated steel windows within a stucco facade. Northern light fills a double-height living area that opens onto a pool and garden planted with native species.

Designed in collaboration with Handelsman + Khaw, the interiors amplify the spatial and atmospheric qualities of the architecture through a carefully calibrated palette of muted, sun-washed finishes, selected for their durability and responsiveness to the coastal climate.

Photography: Anson Smart

The project incorporates passive environmental strategies through deep reveals and thickened thresholds, which mitigate solar gain and reduce overheating. Native planting supports the local ecological context, while the spatial configuration promotes natural light and ventilation throughout.

Ramsgate House is ultimately a study in mediation — between public and private, inside and out, the enduring language of classical architecture and the demands of contemporary coastal living.

Credits

Architect: Common Office  
Project Team: Rob Meyerson, Lead Architect; William J McKee, Lead Architect; Michael Cho, Project Designer; Manuel Hankoo, Graduate Architect
Builder: Ivison Constructions
Structural Engineer: ABVD
Services Engineer: ERBAS
Project Manager: Richard Pajor, Cardo Projects
Interior Designer: Handelsman + Khaw
Planner: GSA Planning

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Brdr. Krüger Copenhagen Flagship Store: A Curated Spatial Experience

5.06.2026

Brdr. Krüger unveils its renewed Copenhagen flagship store marking a new chapter in its spatial and curatorial direction. Designed by Studio Nathalie Schwer the store brings together the brand’s furniture collection with selected international collaborators, including Swedish kitchen makers Nordiska KökThe interior is organised as a sequence of interconnected settings, placing the furniture within a broader material and architectural context and inviting a more considered engagement with craftsmanship, materiality and atmosphere.





The transformation coincides with Brdr. Krüger’s 140-year anniversary and further strengthens the brand’s positioning of craft within a contemporary cultural framework. Founded in 1886, the family-owned company continues to produce in Denmark while working closely with architects and designers. The renewed space extends this legacy, placing the collection within Copenhagen’s evolving international design landscape.

“Rather than creating a traditional showroom, we wanted to rethink how our furniture is experienced. The ambition was to invite a more intimate exploration—encouraging a slower, more attentive way of experiencing design.” — Jonas Krüger, Design Director, Brdr. Krüger.




The comprehensive interior design is defined by Studio Nathalie Schwer’s architectural approach and sensitivity to material. Bespoke dividers in wood, glass and textile create a series of zones that shift between openness and intimacy. As part of this process, Studio Nathalie Schwer has selected and developed bespoke textiles and material combinations specifically for the space. These have been applied to the Brdr. Krüger furniture to establish a distinct, site-specific expression.

“We set out to create a cohesive spatial narrative, where furniture, lighting, materials and architecture form a shared language. The space is conceived as a sequence of shifting zones—balancing openness and enclosure, and allowing the experience to evolve through movement and perspective.” — Nathalie Schwer, Studio Nathalie Schwer.




Nordiska Kök introduces a deconstructed kitchen element in terrazzo, stone, stainless steel and textured glass, alongside an integrated material library. Lighting by David Pompa brings a sculptural, tactile quality, shaped through material transformation and craft. Rugs from Woodnotes, paint by St. Leo, shelving by Detra, and artworks curated with Bricks Gallery complete the space, reinforcing its layered, material-driven feel.






Located at Bredgade 28 in central Copenhagen, the flagship store is now open and will be officially presented at this year’s 3daysofdesign.

Photography by Anders Schonnemann

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