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THE DESIGN CHASER

BROM by AtelierCarle Reframes Rural Architecture with Purpose and Permanence

7.14.2025

Set against the backdrop of Lac-Brome in Quebec’s Eastern Townships, BROM by AtelierCarle is a layered architectural response to questions of sustainability, cultural continuity, and place. Located on an estate that had been in the same family for nearly a century, the project moves beyond conventional preservation or aesthetic gestures. Instead, it engages in a deeper cultural reflection—one that considers the evolving rural landscape and what it means to contribute meaningfully to our shared built environment.


Led by AtelierCarle's founding architect Alain Carle and project manager Isaniel Lévesque, the project reflects a philosophical approach to architecture. Here, sustainability is not measured only in environmental terms, but also through the lens of memory, material permanence, and collective experience—grounding the new residence in both site and culture.


The original structure—a timber-framed residence from the early 20th century with rubble stone walls—had deteriorated beyond repair. While this necessitated a move away from the idea of total conservation, AtelierCarle chose not to erase its presence, but rather embed it into the new narrative. The masonry chimney and foundations were preserved, and as a result, entry to the new building involves passing through the remnants of the old one—a kind of architectural remembrance, a duty of memory—which defines the arrival at the property. The secondary buildings on the site have been preserved and incorporated into the overall landscape design. The property now consists of a series of three connected pavilions that draw on the rhythm of 19th-century rural structures, subtly referencing a form of territorial occupation that once defined the region.



This new configuration, which conceptually establishes a dialogue between the new and the disappeared, highlights the enduring nature of stone in contrast to the more ephemeral character of wooden frameworks in rural architecture—a fragile material history that is often overlooked in the construction process.



The siting of the home, influenced by the natural slope of the land, allowed for the creation of a basement level and full-height rooms below. The ground floor maintains a consistent relationship with the landscape, offering a seamless transition between indoors and out.



From the outset, the team approached the build as a cultural practice. Stone becomes the project’s throughline—grounding both the structure and its sensory experience. Two volumes housing the entrance halls are clad in stone, providing aesthetic and material continuity with the original structure. New retaining walls wrap around these core volumes, establishing the axes for the development of the three pavilions. The masonry continues inside, creating a natural progression into softer materials. Stone also functions as a thermal mass throughout the home, supported by a geothermal system.



The above-ground structure—a mix of metal frames, wood, and exposed beams made from reclaimed timber—is capped by soaring four-sloped cedar roofs, their steep angles referencing the surrounding monumental landscape of the Monteregian Hills. Rather than treating windows as decorative elements within a façade, AtelierCarle designed them to directly respond to the landscape, dissolving boundaries and drawing the outdoors into everyday experience.



Inside, the layout unfolds in a continuous sequence across the ground floor—a horizontal rhythm that echoes the surrounding lakeside landscape. Tall cathedral ceilings and generous volumes are punctuated by large doors crafted from reclaimed wood, offering moments of openness and intimacy. Overhead, reclaimed beams have been carefully adapted to meet the structural needs of the new build.



The interior materiality embraces simplicity, with an aesthetic that bridges old and new, past and present. A minimal palette of stone, timber, concrete, and low-emission finishes was chosen for both its durability and reduced environmental impact. These natural materials ground the spaces, reflecting the fragile yet enduring history of the site.

Just as the architectural approach blurs the boundaries between before and after, the interior atmosphere evokes a sense of suspended temporality—a feeling of permanence that unfolds from the inside out. The result is a home untethered to trends, anchored instead in place, memory, and material continuity.

Too often, projects of this kind are marked by overconsumption or the unnecessary dismantling of viable elements. Here, the design extends the lifecycle of what already exists—preserving what can be preserved, and reimagining what cannot.

Custom furniture by Élément bois adds a layer of timeless tactility, while lighting by Sistemalux and Lumenpulse defines each space with quiet precision.




Rooted in a deep sensitivity to time, place, and material, BROM creates an architectural language that feels both grounded and open—one that acknowledges the past while responding to the needs of contemporary rural life. Rather than imposing itself on the landscape, it becomes part of it, contributing meaningfully to the evolving story of rural life and the shared traditions that shape it.


Credits

Architecture & Interior Design: AtelierCarle
Landscape Architect: Oscar Hacche
Photography: Alex Lesage

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Space Copenhagen Reveals Interiors for The Largo

9.07.2023

Space Copenhagen, the Danish design studio, has just completed the interiors for a new hotel in Porto, Portugal. Located on the historic Largo de São Domingos, the 18-room hotel, restaurant and bar occupy five interconnected 15th, 16th and 19th century buildings that Space Copenhagen has carefully stripped back and restored to reveal, and maintain, many of its original features. The Largo is an exciting new hotel concept that playfully subverts the standard notions of luxury hospitality and is the brainchild of Annassurra, a Copenhagen based travel and hospitality group.


The collection of historical buildings was first lovingly restored by architect Frederico Valsassina and is situated in a prime position with views across the Douro River, which runs through the city of Porto. One of the key objectives of the renovation, which has steadily been taking place over the last three years, has been the conservation of hundreds of years of history and the preservation of the crafts and traditions embedded within the architecture of the building.




The Largo’s interiors have been conceived by Space Copenhagen founders Peter Bundgaard Rützou and Signe Bindslev Henriksento to inspire connection; between guests, hosts, the Portuguese community and the space itself. Soft, slightly nostalgic yet timeless, the interiors are orchestrated by a modern design perspective with an overarching sense of slow design and travel.

“For The Largo, we have applied a refined, historically detailed design language that celebrates modernity combined with a sense of an aesthetic slowness in celebration of the city, its legacy and the local traditions of Porto", explains Peter Bundgaard Rützou. This play, at the intersection of tradition and modernity with attention to detail and authenticity, is executed through thoughtful elements of craft, materiality, texture and art. "The materials used throughout are local, subdued, warm, intimate, tactile, and natural. Where possible we have collaborated with local artisans to create an experience, an environment that is elegant, distinctly discreet, sensuous and comfortable." As a result, you will find stone, wood, brass, and soft fabrics recurring consistently throughout the design.




The suites at The Largo are all generously proportioned with thoughtfully considered layouts that consequently encourage a longer stay at a slower pace. All rooms mimic the intimacy of an apartment living room and private quarters. The beds are the centrepiece of the room and are framed by a Renaissance feature of elaborate headboards reinterpreted in a modern way to pay respect to its origin. Ceilings bear the same level of diluted ornamentation bringing the historic context of the buildings into a new and repurposed setting. Paying homage to local craft and tradition each element has been carefully and exclusively designed for The Largo and executed by Portuguese artisans. The millwork, stone and metalwork throughout were carefully created by local artisans, as well as tiling sourced from local tile manufacturers. The wooden flooring, granite portal, entry passage and plastered walls in subdued colour tones further enhance the slow and warm pace, while the ornate ceilings have been preserved with the historical building's original design.






The bathrooms feature large tile stone flooring and bathtubs carved as a singular piece in local Portuguese stone. Each room includes a lounge and table settings that facilitate the experience of luxury in-room dining. The penthouses and townhouses have their own kitchens, and all suites have extensive pantry storage and wine fridges to welcome a longer stay.




The lounge, where guests are greeted at ground level, has a secluded feel. Located towards the back of the building, there is an opportunity to interact and engage, dwell or listen to an intimate performance or talk. Guests can also enjoy the outside courtyard, which is impressively suspended between the building and rock, at five stories deep.

Adjoining The Largo are sister projects Cozinha das Flores and Flôr, a restaurant and a bar, both also under the direction of Nuno Mendes. The restaurant, Cozinha das Flores, celebrates the food, culture, wines, techniques and ingredients of Porto and the surrounding region. The adjacent twelve-seat bar, Flôr, has fast become a cornerstone of the local neighbourhood.



Speaking further on the design, Peter Bundgaard Rützou says "Our wish has been to create a soft and charming oasis in the heart of Porto – a place and destination where you can feel at home, sense the honest and genuine atmosphere of the historic buildings and neighbourhood…A place of discovery, and a place to recharge for new adventures in the beautiful city and surrounding nature.” A beautiful fusion between old and new, The Largo invites visitors to embark on a journey of both inner and outer exploration, weaving together the tapestry of Porto's rich history, culture, and natural beauty.

Photography by Joachim Wichmann

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Autumn 2023: Embrace the Changing Season with Dulux

2.22.2023

This autumn, warm neutrals and muted yellow-greens in Connect, one of three palettes identified in the Dulux Colour Forecast 2023, are set to take centre stage. These colours evoke the natural beauty of autumn and create a cosy and inviting feel for homes as the weather turns cooler. The earth-based neutrals are versatile and work well with a variety of architectural styles, enhancing the character of period homes while adding warmth and colour to contemporary interiors.

Walls and ceilings: Dulux Pataua Beach, Entrance (through opening) and behind shelves: Dulux Gentle Annie

In this space, the Connect palette was used by Dulux to transform a spacious open-plan lounge and dining area with cathedral ceilings and exposed timber beams into a cosy and welcoming family retreat. The main walls and ceiling were painted in Dulux Pataua Beach, a lovely creamy honey hue, to tie in with the timber beams and offset the stone look floor tiles, creating a space for gathering with the fireplace at its heart. The fireplace wall was painted in a slightly richer colour, Dulux St Bathans, to make it the clear focal point. The muted, earthy hues create unity between the interior and the lush garden outside, visible through generous picture windows and sliding glass doors. These colours are also carried through to the adjoining dining room, where Dulux Gentle Annie can be seen through the opening that leads to the main entrance of the house and behind the shelves in the study nook.

Walls and ceilings: Dulux Pataua Beach, Fireplace wall: St Bathans

Walls and ceilings (living room): Dulux Pataua Beach, Walls (front): Mt Inaccessible


The Connect palette speaks to our growing passion for craftsmanship, sustainability and living more simply, and creates the relaxed and cocooning feeling we crave from our homes in the autumn months. Further enhanced by furniture art and objects, these include beautifully worn vintage pieces, such as a '70s leather sofa and slate coffee table, sitting comfortably alongside newer future family heirlooms, such as the classic Camaleonda upholstered ottomans and a deep-seated, contemporary sofa by Jardan in a tobacco linen. Tactile, natural materials are layered, including raw timber, rattan, worn leather, heavy linen fabric, shearling, and stone, all drawn from the same curated colour palette to create a cohesive look. Handmade ceramics displayed on the fireplace ledge and a mix of botanicals and dried flowers emphasise the earth-drawn theme, while an abstract artwork reflected the dynamic colours in the landscape.

Walls and ceilings: Dulux Pataua Beach, Fireplace wall: St Bathans

Walls and ceilings: Dulux Pataua Beach, Entrance (through opening) and behind shelves: Dulux Gentle Annie

Experimentation with these warm earthy colours will help your spaces feel intimate, warm and inviting this autumn. By using the Dulux Connect palette, you can create a calming, earthy vibe that's perfect for laid-back entertaining and family gatherings as the weather cools, blurring the lines between inside and out.

Walls: Dulux Pataua Beach, Entrance (through opening) and behind shelves: Dulux Gentle Annie



To learn more about Dulux’s Colour Forecast 2023 visit www.dulux.co.nz.

Image Credits

Styling: Bree Leech
Photographer: Lisa Cohen


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Maison Denison by ADHOC Architectes

2.10.2023

The small hamlet of Denison Mills, located in the Eastern Townships of Québec, Canada, was established by the Denison family, American settlers, nearly 200 years ago. The hamlet was once home to 150 inhabitants and was located along the road that connected Quebec City to Boston. Today, only four buildings remain, including the flour mill, which was converted into a private residence after being classified as a heritage site in 1973. ADHOC Architectes has now been tasked with restoring and adapting the annex of the Denison family's farm house, to meet the needs of the new occupants, a couple with a passion for history and literature, who settled there in 2006 to raise their three children.



Choosing to preserve the architectural heritage of the building, the clients sought to increase their living space by converting the historic outbuilding of the house into a library that opens to the outside, office, garage, and future dormitory. ADHOC Architectes' work on this home in the Val-des-Sources Heritage area has resulted in a peaceful and charming new space that blends in with its surroundings, giving the impression that it has always been there.



The decision to renovate and reuse the existing building rather than demolish it and build anew was made with consideration for the environment. The architects at ADHOC Architectes strengthened the structure using reclaimed hemlock beams. To ensure eco-friendliness, locally produced hemp wool was selected for insulation, and the roof was made of durable sheet metal. This renovation not only showcases sensitivity to the architectural heritage but also demonstrates a commitment to sustainability.

“While some historic buildings built in Quebec are falling into disrepair and see their future uncertain, the owners of this bicentennial residence have chosen to renovate, rather than demolish and rebuild. The Denison project thus pays homage to the regional character of ancestral farmhouses, while adapting them for today's needs,” says Jean-François Saint-Onge, creative director and partner at ADHOC Architectes.



In the 1830s, the main stone house was built with a focus on thermal comfort. The surrounding landscape, used for agriculture, was designed for productive value instead of its scenic beauty. This resulted in a gradual addition of annex buildings that split the 83-acre site into two parts.

To reconnect the new residents with nature, the architects installed large windows on either side of the building. During the summer, these openings provide access to the outdoors and in the colder months, they bring in natural light and offer views of the surrounding agricultural land and forest.



Like a changing landscape over time, the volumes of the residence express the contrast of their respective eras through their design. The exterior of the annex features a harmonious blend of cedar shingles, white clapboard, and metallic materials in grey steel and black awning, complementing the stone house. The annex and stone house have always been connected, with ADHOC Architectes preserving the existing openings and repositioning the entrance to consolidate the two structures.

The connecting space on the ground floor has been transformed into an entrance vestibule that separates the original spaces of the stone house and the new, contemporary spaces in the annex. The architects played with heights and selected materials, such as a slate floor, to create a smooth transition. This flooring is a nod to the historical quarries of Shipton Township and the exterior cladding of the house.



The new living space is a place dedicated to literature, with a modular winter reading room and an office overlooking the space. The first step in the renovation was to stabilize the structure of the building, which had sagged over time. The use of the full height of the cathedral ceiling helps to add volume and diffuse light throughout the room. The application of a mixture of natural materials, with wood chosen in neutral tones, gives a harmonious, contemporary, and nevertheless timeless character to the room. The millwork installed along the walls, veneered in local white oak wood, is done in the book match style of the 1970s and is contrasted by a polished concrete slab. Upstairs, the ceiling is made of wooden laths, painted white, and is supported by exposed beams to add a more rustic touch.



All in all, this project unites ADHOC Architects' philosophy of architectural preservation, conserving the context’s heritage with Dominique and Valery’s love for history and literature. By bringing these shared values to the building, they have added to its legacy and written a new chapter in the history of Maison Denison. With the devoted care of Dominique Lebel and Valery Pigeon's family, the Denison site has a bright future ahead.


Credits

General contractor: Constructions Namasté
Photograpy: Maxime Brouillet


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