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THE DESIGN CHASER

Dinesen and John Pawson Launch New Furniture Collection

4.24.2024

Dinesen, Denmark’s leading manufacturer of handcrafted wooden flooring and products, has launched a bespoke furniture collection with revered British architectural designer John Pawson, to celebrate 30 years of collaboration. The Pawson Furniture Collection is based on the span of a Dinesen floorboard, whose pared-back forms consequently appear to be lifted directly out of the floor. This served as the inspiration and guiding principle behind both the Dining Series and the complementary new Lounge Series.


Having previously collaborated on projects of varying scale and type—including private homes, exhibitions, museums and chapels, the new furniture collection distills the ethos of the Danish word Umage, which means going beyond what is expected or considered possible, as it expands this sense of progression that Dinesen and Pawson bring to their work.


The origins of the Pawson Furniture Collection for Dinesen can be traced back to 1992 when John Pawson created an original furniture collection solely for Pawson House in London. While designing his private home in Notting Hill, John discovered Dinesen and opted for Douglas fir planks for the flooring. This decision led to the innovative use of uncut planks laid from the front to the back of the house and the creation of a table and stools from boards of corresponding width. A commission unlike anything Dinesen had previously delivered, its success ignited a lifelong friendship and business partnership between Thomas Dinesen, fourth generation and John Pawson. Their enduring collaboration continues to thrive today.




Pawson’s vision saw the floor become a crucial architectural element, and the bespoke furniture for Pawson House further championed Dinesen’s joinery in new and unexpected ways. The Dining Series features a table, bench, and stool, originally conceptualised by John Pawson in 1992 and updated with a shadow gap detail for this collection. The top and legs of the dining table are fabricated from two boards, with the shadow gap now subtly highlighted using a combination of Douglas fir planks and Dinesen Oak inserts. Stools and benches, constructed from single Douglas fir boards with solid central spines, complete the collection.



The Lounge Series is a new, complimentary addition to the original Dining Series, features pieces crafted from solid Douglas wood, including a lounge chair, lounge table, sofa, and daybed. Skilled local cabinet makers in Denmark have built the wooden frames, which are then upholstered with textiles sourced from the renowned Danish textile company Kvadrat. Each piece is made to order, allowing customers to select their preferred textile from Kvadrat's extensive upholstery library. The sofa and armchair showcase the boards on the side elevation, while the cushions continue the theme of assembled and layered elements. Similarly, the daybed and coffee table are conceived as lower iterations of the dining table, creating a cohesive and harmonious collection.



John Pawson reflects on the design of collection for Dinesen, remarking “When I look at this new furniture collection for Dinesen, I see the essence of the thinking that has shaped my work since the beginning. Everything about these pieces is pared back to the logic and poetry of the wood. The dimensions of the timber determine the proportions of the forms and then it’s all about the inherent sensory character of the material.”



Thomas Dinesen, fourth generation at Dinesen, comments on the new furniture collection: “When we met John Pawson in 1992, we provided planks only for castles, manors, and churches, and at that time, they were conical Douglas fir planks only. He was the first to request our wood for a private home, and he wanted planks of the same width (450 mm). John Pawson has in many ways changed our relationship with the 'plank' from a restoration material for historic buildings to a design element in modern architecture."



The Pawson and Dinesen relationship was first struck with Thomas Dinesen in 1992. Since Thomas stepped down in 2021, his son Hans Peter has taken the reins to continue the family’s connection with Pawson for this new furniture launch.

Hans Peter Dinesen, fifth generation, says of the new collection: "More than 30 years after Dinesen and John Pawson first met, we reflect on how far we have come but also to shape our future course. John has had a great impact on the way we view architecture and wood. When John ordered our wood for the first time in 1992, it was a renaissance for our flooring and the plank itself that became a furniture collection. Together with Pawson, we have refined our Heritage Furniture collection and added new pieces to pay tribute to our shared joy in the simple and timeless."



Photography by Claus Troelsgaard

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The Everyday Collection by Fred Rigby Studio

8.13.2021

Since launching in 2008, independent London-based furniture and interior design practice Fred Rigby Studio has worked across a range of projects characterised by organic shapes, natural symbolism, and earthy materials to provide a strong connection to nature indoors. It makes sense, then, that the studio’s new furniture collection - the Everyday Collection - is inspired by the undulating landscapes of Dorset, where founder Fred Rigby grew up. Using a pure palette of oak, wool and steel to invite touch and bring a natural materiality to the home, the pieces, all hand made in the Fred Rigby studio from locally sourced materials, are designed to provide function, comfort and a sense of playfulness.


The Everyday Collection marks an exciting milestone for Fred and his team. Unlike the Signature Collection where they release one-off pieces, this is the first time the studio has designed a full series of furniture. With circular profile tables reflecting the rippling pools of raindrops; soft and spacious seating made with custom fabric in rich earth-like tones, and a solid oak dining series with curved lines to create an inviting feeling, each piece is united by the natural symbolism of the great outdoors. 




To mark the launch of the collection, Fred Rigby Studio joined forces with photographer Renée Kemps and creative studio Værnis Studio to create an incredible series of campaign images. Shot at Winspit Quarry in Dorset and at Upper Lawn Pavilion, the latter was designed by Alison and Peter Smithson as a weekend retreat and a place to test their architectural concepts in 1960. Both locations beautifully encapsulate the earthy connection to the outdoors, providing the perfect setting to frame the new pieces. 






The collection comprises three series: Raindrop, Cove and Tide. With varying proportions, the round Raindrop side tables and coffee tables evoke the pattern of raindrops in a pool of water and lend themselves to a nesting formation. Crafted from solid FSC-certified oak and finished in natural oil, the soft forms of the wooden surfaces rest on contemporary tubular steel bases patinated through oxidation for a unique finish that will become more beautiful over time. 






Cove consists of an armchair, a modular sofa, armless seat and footstool. The sculptural and enveloping pieces feature expanses of solid oak which encase generous soft cushions upholstered in low-pile boucle wool custom made exclusively for the Everyday Collection in collaboration with Tibor, and yarn-dyed in colours drawn from the Dorset landscape. With a modular quality designed to appeal to the demands of everyday living, the design allows for unique personlisation when pairing and configuring pieces to suit changing contexts and spaces.



The rounded, playful forms of the Tide dining series bring a sense of softness and nature into the home. With honest structures beautifully crafted from FSC certified oak, the dining chairs pair beautifully with either the round or oval dining tables, to create the perfect setting for modern living. And with a commitment to sustainable practice, the studio plants a tree for every piece sold.





Photography by Renée Kemps /Art Direction in Collaboration with Værnis Studio


To find out more about the Everyday Collection, visit Fred Rigby Studio. 

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Norm Architects for L.Ercolani

5.28.2020


Norm Architects have partnered with L.Ercolani on the design of two new product series, the Reprise chair and Canvas series. A sub-brand of UK furniture maker Ercol, L.Ercolani represents a heritage firmly rooted in a century of design tradition, continuing the legacy of well-built furniture, designed and crafted to be cherished for generations. A philosophy that Norm Architects understand intuitively, the Copenhagen-based practice were were able to channel this native familiarity into the collaboration, through a shared approach to craftsmanship and the use of honest materials.


An elegant statement piece for the contemporary home, the Canvas Cabinet features sliding doors and front covers with architectural references, combining form and function in an unassuming, sophisticated manner. Available in different sizes, the Canvas Tall cabinet pictured above is paneled in Kvadrat’s Hallingdal fabric. 


"To create the Reprise Chair, Norm Architects combined Ercol's traditional woodturning steam bending techniques with a classic Danish design from the 50's. The chair's legs are held in place with a singular, steam-bent piece of wood, paying homage to an Ercol tradition stretching back to 1944. The end result is a graceful, well-constructed chair with spindles for the legs and backrest" —Frederik Werner, designer at Norm Architects

The Reprise Chair is available in six wood finishes, with leather sling, canvas strap, or upholstered seat options. 


Styling by Sofie Brünner / Photography by Christian Møller Andersen

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House of Toogood

9.10.2018

I didn't have time to make it to Shoreditch when visiting London earlier this year, but if I had, House of Toogood would've been my first stop. The space, founded by sisters Faye and Erica Toogood, operates as a showroom and gallery showcasing the designers' own furniture and clothing collections, as well as exclusive exhibitions and collaborations. A huge fan of Faye Toodgood's furniture designs, I was so excited to see some of her iconic pieces for the first time at The Hub General Store in Melbourne this year. Seeing more of the magic in her own London showroom would be amazing. In June, House of Toogood held a pop-up exhibition by award-winning artist Malgorzata Bany. Her sculptural pieces fit perfectly inside the minimal space and I was in awe seeing the images on Instagram around that time. You can still check them out on the @t_o_o_g_o_o_d and @malgorzatabany feeds. I've saved quite a few! 


Today I stumbled across another exhibition at House of Toogood held late last year. A solo show Nearness by by artist Sarah Kay Rodden, I just had to share these beautiful images with you. A designer at Ile Crawford, Sarah was also head of concept design at Faye Toogood between 2008 and 2012. Here is some insight into her inspiring work, which I'm so happy to have discovered.

Sarah Kaye Rodden is a slow and obsessive looker. She is an arranger and re-arranger of forms, where repetition and subtle changes in tone and texture generate meaning. Forms become subjects and groups of forms become scenes, even as they continue to speak to one another in a language that belongs only to them. Kaye Rodden's meditative practice is an exercise in coolness and patience, waiting for pictorial resolution while relishing the state of 'nearness' and the way nearness looks and feels. The sleek transcendence of Jean Arp is as important to her as the life-work of Giorgio Morandi, where a ritualistic daily search is as beautiful, and fruitful, as an answer.


Photography by French+Tye

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