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THE DESIGN CHASER

Space Copenhagen Unveils Interiors for Apothéose

9.16.2024

In the bustling Toranomon Hills Tower in Tokyo, a new 40-seat restaurant and bar has been brought to life through the creative vision of Space Copenhagen, the celebrated Danish design studio. Named Apothéose, this culinary haven is the brainchild of the celebrated Michelin Chef Keita Kitamura, who returned to Japan after a successful 15-year tenure in Paris. Blending the rich tapestry of Japanese culinary traditions with the sophisticated influences of French culture, the restaurant's interior seamlessly weaves together elements designed by Space Copenhagen to craft an environment that is not only inviting but also serves as the perfect backdrop for patrons to indulge in Chef Kitamura's extraordinary cuisine.


Upon entering Apothéose, guests are greeted by a bespoke sculptural host station in a spacious hallway, which flows effortlessly into a welcoming lounge area. Here, sturdy oak tables and moss-green Loafer Chairs by &Tradition, upholstered in neo-classical-inspired Kvadrat Sacho fabric, invite guests to relax in an atmosphere that feels at once contemporary yet grounded in timeless design.​ The floor and walls are adorned with earthy, warm, light-burnt terracotta tiles, with some wall surfaces covered in a lighter, semi-transparent textile in a natural tone. The space maintains a seamless connection to the outdoor terrace with lush greenery in the form of trees and plants, creating an invitingly organic atmosphere in the restaurant.




As guests leave the open lounge area, they enter a warmly lit passageway lined with built-in wine cabinets. The walls and door frames are covered in refined darkened brass panels, and at the end of the passage is a beautifully crafted double door that marks the entrance to the restaurant. The door, which opens automatically when approached, features an intricate scalloped decorative motif and handles made of darkened brass. As guests enter the restaurant, they are greeted by a vibrant open kitchen with stunning views of the Tokyo Skyline.



The restaurant space has a warm and welcoming atmosphere, offering a noticeable change of pace from the busy urban landscape at the bottom of the Tower. The stunning view of Tokyo feels almost otherworldly and meditative. Light filters through the space from day to night through transparent sheer fabric framing the façade, while the simple and minimal spatial features and surfaces, rich textures, and carefully selected materials are highlighted in different lights. The darkened brass wall panels that wrap around the open kitchen are complemented by walls in chalky plaster, alongside wall panels and floors in light wood. Further use of wooden panelled walls defines a separate, intimate private dining space next to the kitchen.



To enhance the overall design, Space Copenhagen has carefully selected a palette of natural materials for the restaurant’s furnishings including fabrics from Dedar and grey Nuance leather from Sorensen. Gleda dining chairs in solid white oak, designed by Space Copenhagen for British furniture brand Benchmark, are complemented by solid white oak tables custom-made by Benchmark for the restaurant. In the lounge area, artist Hideaki Yamanobe’s painting, fittingly entitled Through the Clouds, adds a poetic layer to the space. A stone waiter’s station serves as a functional and decorative element, housing ceramics, glassware, and sculptural objects, while strengthening the connection between the kitchen and the guests.



Lighting plays a crucial role in creating a warm and inviting atmosphere at Apothéose, with portable Como Lamps by &Tradition providing table illumination, and modern, playful light fixtures from Michael Anastassiades punctuating the wider space. Subtle yet impactful, the lighting reinforces Space Copenhagen’s emphasis on craftsmanship, beauty, honest materiality, quality, curiosity, and balance.

Commenting on the design strategy of the restaurant and bar, Space Copenhagen founders Peter Bundaard Rützou and Signe Bindslev Henriksen say “We wanted Apothéose to be a refined space of crafted elegance with its own distinctiveness, we hope guests enjoy spending time in its considered and intimate dining and culinary experience.”




Toranomon Hills encapsulates the concept of transformation. What was once primarily known as a business district is now evolving into a multifaceted place that combines work and life with cultural discovery and hospitality. Earlier this year, Space Copenhagen designed Hotel Toranomon Hills, which occupies the ground and 11th to 14th floors of the Toranomon Hills Station Tower. The hotel includes Le Pristine Tokyo, a restaurant by Sergio Herman, also designed by Space Copenhagen, following their celebrated design of the original Le Pristine in Antwerp in 2020.

Photography by Joachim Wichmann

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An Introduction to Stockholm Design Studio Kitchens by Paul

8.26.2021

Stockholm-based design company Kitchens by Paul are renowned for creating bespoke interiors and kitchens with an unparalleled dedication to quality. The studio was founded in 2018 by Paul Badran, who first began his career in Lebanon at the age of 16, working at several different kitchen studios before graduating as an architect in 2012. Moving to Qatar, he worked with residential towers as well as luxury hotels and in 2015 he moved to Stockholm, where his work quickly gained recognition. Bringing a wealth of knowledge and experience to his own studio along with a unique approach to design, his spaces combine distinctive elements with a high level of functionality. 



Today I’m going to share two recent projects by Kitchens by Paul. The first kitchen is part of a large renovation of a 1929 villa in Stockholm. Located in the home’s newly built extension, it features an incredible 4.7-metre long island that halfway along transitions seamlessly into a functional dining table. A beautiful focal point for the space, the island is made of solid oak, with an integrated grip and plinth made from brushed brass. 




Clean and elegant with considered design elements, the kitchen's appliances are framed in a glass vitrine with integrated illumination, and the island base is crafted with bespoke vertical oak panelling. Inspired by the quartzite of the Taj Mahal, the studio chose Dekton Taga for the worktop, which injects texture with its marble and crystalline veins. This material extends to the two kitchen sinks and the full wall, including the inside of the window frame.




A Bora hob with an integrated downdraft extractor was chosen for both its elegant design and efficiency, while the remaining appliances are from Miele. Brass accents continue with taps are from Tapwell, and the wall and ceiling lights, made with alabaster stone and brass, are from CTO Lighting.


Renders courtesy of Kitchens by Paul

The next kitchen has been designed for the new apartment of Swedish blogger Petra Tungården. Her penchant for natural stone led Kitchens by Paul to choose Breccia Vagli, a beautiful natural stone with deep burgundy reds against a background of opaque whites with elements of grey and gold. The material was also used to create a stunning illuminated arch niche and floating shelf.





Petra’s wish to have curves in her new kitchen can be seen in both the curved edges of the bench cabinet and kitchen island. The painted cabinets are elegant with a simple framing that gives a Parisian feel, while the island anchors the space in solid oak paired with a bronze base.






The fridge and freezer are integrated behind beautifully designed textile covered arched doors, and the oven is also hidden behind a door, creating a truly seamless space. The Bora downdraft extractor features in this kitchen too, along with a tap by Dornbracht and wall sconces by Kelly Wearstler.





Renders courtesy of Kitchens by Paul 

For more information visit Kitchens by Paul, and to see these inspiring projects come to life, be sure to follow along on their Instagram. 

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Nuura Launches the Rizatto Collection

2.22.2021

Working on the basis of the classic chandelier, Danish lighting brand Nuura is now launching the Rizatto collection designed by internationally renowned lighting designer Paolo Rizatto. With a long and distinguished career in the field of lighting and a fascination for chandeliers, Paolo Rizatto is Italy's answer to Poul Henningsen of Denmark, making him the perfect match for Nuura's ambition to spread light and joy.



"I have recently been working extensively with the topic of chandeliers. This fascinating subject has always been on my mind throughout my career as a lighting designer. That was why I enjoyed the stimulating challenge of creating a new collection of lamps based on the chandelier." — Paolo Rizatto.








Comprising two pendants and a ceiling light, the Rizatto Collection is defined by organic shapes created by mouth-blown glass. The design of the pendants, which feature brass-coloured anodised aluminium and mouth-blown glass, allows the light to unfold from its source and diffuse through the opal-white glass, creating soft and comfortable quality lighting. Two of the pendants are height-adjustable, making them versatile for use in both private homes or public spaces. The ceiling light is mounted directly on the ceiling, allowing for the creation of unique, decorative ceiling lighting.





The collaboration with Paolo Rizzatto is part of Nuura's strategy of working with external designers to enrich and create greater diversity within Nuura's design range. The brand takes its inspiration from the Nordic design tradition, based on simplicity combined with respect for nature and the environment. The objective is to create an aesthetic design that spreads joy and quality lighting.

"Working with Paolo has been inspirational and educational. He is one of the most exciting lighting designers on the international scene and has created a whole range of stunning classics. Paolo has extensive experience within lighting and works with considerable attention to detail. The combination of his immense passion for light and lighting design brings a fantastic degree of energy to our partnership." — Sofie Refer, Creative Director, Nuura.





You can read more about Paolo Rizatto, and the story behind his collaboration with Nuura here. 

Styling: Vyff
Photography: Maja Karen 
Location: Kim Grenaa

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Arc Side by Jolson Architecture and Interiors

1.28.2021

Initially designed for the current owners as two self-contained apartments, this Melbourne property has been holistically reimagined by Jolson Architecture and Interiors as a single residence over three levels. First designed in 2001 by Cox Carmichael and completed in 2003, the building has been given a complete overhaul by Jolson involving the removal of internal walls and floors to allow for spaces that are both fluid and interconnected. The original façade has been simplified, with its inverted arch and sweeping curves providing a key source of inspiration for the new design of this contemporary home.




Although generous in size and spread over three levels, the spaces are far from overwhelming. The kitchen and living areas are located on the top level to take advantage of the views and light, while the main bedroom suite is on the middle level. Jolson not only strategically zoned these levels to allow for family and guests, but also manipulated the spaces with cleverly concealed sliding doors to create both flexible spaces and privacy when required.






Pivotal to this design is the change in format of the spaces themselves. Previously many of the rooms featured low ceilings and benefited from having only one aspect. The substantial renovation, which includes the addition of a monumental, 7-metre high void and a dramatic curvaceous steel staircase, means that the spaces can now enjoy sightlines across each of the three floors. 








The dominant cue in driving this design was the curved inverted arch from the original facade. Simplified, the curves have now become a subtle feature within every space, be it the gentle curved polished plaster walls or the forms of the ceilings. Looking at Jolson’s extensive repertoire of fine bespoke homes, predominantly orthogonal in form, this design presents a new direction for the practice. The Jolson team was also mindful of not only creating the appropriate spaces for their clients but allowing for a more timeless aesthetic that would be as appreciated now, and well as into the future. Given the vibrancy of the immediate environment, the palette of materials and colours used for this project is deliberately restrained and understated. Materials are limited to stone, used for benches and splash-backs, steel for the staircase, brass for joinery and American oak timber for floors. Jolson took a holistic approach, applying the same level of detail to the garden, as to the home, be it the inclusion of a vegetable garden on the top level to mediate privacy or the curved stone path in the back garden to reiterate the curvaceous façade and interior spaces.






Restraint and meticulously detailed materials and finishes have elevated this home into a new realm. A timeless design, filled with poetic gestures, this home shows how one simple curve can not only inspire the architects but, as importantly, set them on a new path of discovery. And while this virtually new home is a masterpiece of architecture, it is also a comfortable and functional space for the clients and their extended family.

For further inspiration from Jolson, take a look at Orchard Piper Huntingtower Road. 

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