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THE DESIGN CHASER

de l'Épée Residence by Michael Godmer Studio

1.20.2026

Some projects begin with a brief. This one began with a conversation. When Michael Godmer Studio was first contacted, the clients had already lived in the house for several years. The call was exploratory — an open exchange of ideas rather than a defined request. The couple — an art therapist who works intuitively with the body, gesture, and emotion, and a social programmes manager focused on building sustainable human structures — had lived internationally, gathering cultural and spatial experiences that would contribute to the narrative of their home in Montreal.


Their return to Canada was a way to reconnect with family, to offer stability for their two children, while preserving the openness shaped through travel. What began as a conversation soon evolved into a full renovation, developed patiently over time, with Michael Godmer Studio guiding the process and assembling a network of local artisans and collaborators around a shared vision.


Even before construction began, the house became a kind of laboratory. Drawings appeared on walls and family-made artworks acted as spontaneous gestures that inscribed the family’s identity into the space. From the beginning, the intention was clear: to create a home that felt singular and expressive, far removed from standardised imagery, and deeply attuned to colour, theatricality, and a vibrant family life.


The house already carried a rich history. A character-filled residence in Outremont, it was defined by warm woodwork and material depth, generous proportions, and a central staircase that anchored the plan. Rather than erase these elements, the design sought dialogue. The staircase was preserved exactly as it was, acting as a point of balance between past and present. Elsewhere, interventions extend the architecture rather than replace it — rounded door frames, reconfigured openings, and redesigned windows soften transitions and introduce a sense of flow.



Function and family life shaped every architectural decision. This includes working from home, with a dedicated art therapy space integrated seamlessly into the domestic flow, and an upstairs office offering focus and retreat. Cabinetry takes the place of traditional partitions, defining zones and creating versatile spaces. Custom doors, in particular became a central design element: glazed wood-framed, solid bespoke designs and louvered wardrobes were developed in close collaboration with local artisans. Each one is functional, tactile, and quietly expressive — part of a broader commitment to craftsmanship and personalisation.




Throughout the house, the atmosphere shifts gently from one zone to the next: a theatrical powder room in soft pinks nodding to the world of Wes Anderson, vibrant and playful spaces for the children, and, in contrast, the parents’ wing — calmer and more sensual, where bedroom and bathroom engage in a quiet, intimate dialogue. Each variation feels deliberate, responding to mood, function, and the rhythms of daily life.



Materiality is layered with restraint. A warm, mayonnaise-toned base colour envelops the home, allowing preserved woodwork to sit comfortably alongside brushed lacquered woods, uniform lacquer finishes, Botticino Fiorito marble, and travertine flooring. Limewash paint introduces sandy textures that interact with sculptural and decorative elements, referencing the clients’ travels and eclectic sensibilities.

Curves are a recurring element throughout the house, softening the lines of the kitchen island, door frames and bathrooms and creating a fluid language that resists being fixed in time. The kitchen itself is restrained and abstract, avoiding overt references — particularly to the French bistro — through a subtle repetition of tile lines between floor and island. One of the project’s signature details — which immediately caught my eye — is the narrow-plank white oak floor, recalling the home’s origins, framed by a tiled border that echoes the kitchen. A single small tile marks the transition between wood and ceramic, a detail repeated throughout the house, forming a discreet narrative thread.




Lighting is intentionally understated, designed to reveal textures and materials rather than competing with them. Sourced largely through local collaborations, it contributes to the home’s sensitive, coherent and deeply personal composition.



More than anything, this is a project shaped by relationships — between a family and their home, between past and present, between architecture and craftsmanship. It has been designed to evolve, welcome, and grow richer over time, without ever losing its soul.


Photography by Maxime Brouillet

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Space Copenhagen Unveils Interiors for Apothéose

9.16.2024

In the bustling Toranomon Hills Tower in Tokyo, a new 40-seat restaurant and bar has been brought to life through the creative vision of Space Copenhagen, the celebrated Danish design studio. Named Apothéose, this culinary haven is the brainchild of the celebrated Michelin Chef Keita Kitamura, who returned to Japan after a successful 15-year tenure in Paris. Blending the rich tapestry of Japanese culinary traditions with the sophisticated influences of French culture, the restaurant's interior seamlessly weaves together elements designed by Space Copenhagen to craft an environment that is not only inviting but also serves as the perfect backdrop for patrons to indulge in Chef Kitamura's extraordinary cuisine.


Upon entering Apothéose, guests are greeted by a bespoke sculptural host station in a spacious hallway, which flows effortlessly into a welcoming lounge area. Here, sturdy oak tables and moss-green Loafer Chairs by &Tradition, upholstered in neo-classical-inspired Kvadrat Sacho fabric, invite guests to relax in an atmosphere that feels at once contemporary yet grounded in timeless design.​ The floor and walls are adorned with earthy, warm, light-burnt terracotta tiles, with some wall surfaces covered in a lighter, semi-transparent textile in a natural tone. The space maintains a seamless connection to the outdoor terrace with lush greenery in the form of trees and plants, creating an invitingly organic atmosphere in the restaurant.




As guests leave the open lounge area, they enter a warmly lit passageway lined with built-in wine cabinets. The walls and door frames are covered in refined darkened brass panels, and at the end of the passage is a beautifully crafted double door that marks the entrance to the restaurant. The door, which opens automatically when approached, features an intricate scalloped decorative motif and handles made of darkened brass. As guests enter the restaurant, they are greeted by a vibrant open kitchen with stunning views of the Tokyo Skyline.



The restaurant space has a warm and welcoming atmosphere, offering a noticeable change of pace from the busy urban landscape at the bottom of the Tower. The stunning view of Tokyo feels almost otherworldly and meditative. Light filters through the space from day to night through transparent sheer fabric framing the façade, while the simple and minimal spatial features and surfaces, rich textures, and carefully selected materials are highlighted in different lights. The darkened brass wall panels that wrap around the open kitchen are complemented by walls in chalky plaster, alongside wall panels and floors in light wood. Further use of wooden panelled walls defines a separate, intimate private dining space next to the kitchen.



To enhance the overall design, Space Copenhagen has carefully selected a palette of natural materials for the restaurant’s furnishings including fabrics from Dedar and grey Nuance leather from Sorensen. Gleda dining chairs in solid white oak, designed by Space Copenhagen for British furniture brand Benchmark, are complemented by solid white oak tables custom-made by Benchmark for the restaurant. In the lounge area, artist Hideaki Yamanobe’s painting, fittingly entitled Through the Clouds, adds a poetic layer to the space. A stone waiter’s station serves as a functional and decorative element, housing ceramics, glassware, and sculptural objects, while strengthening the connection between the kitchen and the guests.



Lighting plays a crucial role in creating a warm and inviting atmosphere at Apothéose, with portable Como Lamps by &Tradition providing table illumination, and modern, playful light fixtures from Michael Anastassiades punctuating the wider space. Subtle yet impactful, the lighting reinforces Space Copenhagen’s emphasis on craftsmanship, beauty, honest materiality, quality, curiosity, and balance.

Commenting on the design strategy of the restaurant and bar, Space Copenhagen founders Peter Bundaard Rützou and Signe Bindslev Henriksen say “We wanted Apothéose to be a refined space of crafted elegance with its own distinctiveness, we hope guests enjoy spending time in its considered and intimate dining and culinary experience.”




Toranomon Hills encapsulates the concept of transformation. What was once primarily known as a business district is now evolving into a multifaceted place that combines work and life with cultural discovery and hospitality. Earlier this year, Space Copenhagen designed Hotel Toranomon Hills, which occupies the ground and 11th to 14th floors of the Toranomon Hills Station Tower. The hotel includes Le Pristine Tokyo, a restaurant by Sergio Herman, also designed by Space Copenhagen, following their celebrated design of the original Le Pristine in Antwerp in 2020.

Photography by Joachim Wichmann

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A Light and Airy Nordic Inspired Renovation in Melbourne by norsu Design

4.03.2023

Today I’m sharing a new project from norsu Interiors, the Melbourne-based retail boutique and interior design studio founded in 2013 by Nat Wheeler and Kristy Sadlier. Long-time friends of TDC, the business initially started as an online store but grew rapidly, opening its first physical store within a year. Well-loved for its Scandinavian-inspired homewares, furniture, and artwork, norsu’s mission is to help their community create a home that they love coming back to every day, along with simple and easy styling tips to transform the way we live. In 2017, after completing and sharing a renovation on Nat's family home, they established the norsu Design team of interior designers and decorators who now work on home projects across Australia. Their latest project, the Malvern Residence, is a gorgeous transformation of a Victorian home that exemplifies the light, bright and airy style norsu is known for.


The previous Victorian-style floor plan consisted of a small kitchen, one bathroom for the whole family, a living and dining area that the family had outgrown and a poorly designed and disjointed back living space add-on. “We knew the house needed to be re-stumped from the moment we bought it and that was going to be a big job, so we just waited until we knew what we wanted to do,” says owner Skye, who shares the home with her husband Andrew and their teenage children Henry and Lucy.



Skye engaged interior designer Lauren Bartlett-Bragg from norsu Design with a vision to create a modern, Scandinavian-inspired home, after seeing the transformation of norsu owner Nat Wheeler’s family home over Instagram several years ago. “As a first-time renovator I knew roughly the look and things I wanted but didn't have the confidence to put it all together - especially with the fixtures and finishes,” explains Skye.




The original colours of the home were dark, with deep blue carpets, yellow cream walls and orange-toned floorboards. When it came to her reno non-negotiables, Skye’s number one was a light, bright, open and airy house with plenty of clever storage solutions, separate living room spaces for the adults and children, and functionality without sacrificing beauty. The key renovation elements included an extension of the back of the home to create a large open-plan living, kitchen and dining area, a dual workspace study, a hardworking laundry zone with multiple drying cupboards, and the addition of a separate studio in the backyard.






For designer Lauren, one of the critical parts of designing this home was making sure she could get as much natural light into the home as possible. “Due to the orientation of the home and the configuration of a few of the front rooms that remained in their existing positions, we were limited to what side of the home the kitchen could be on (the north wall of the property), leaving limited light into this space”. The result is something Lauren describes as quintessentially Australian-Scandi with a signature norsu aesthetic, combining the perfect mix of natural finishes with a cool neutral palette while injecting warmth through timbers, sheer window furnishings, and cosy textural furnishings. The sheers are by Sheridan Window Furnishings and the flooring is by Scandinavian Floors.





On entry, the first thing you notice is the spacious hallway with fresh, cool-toned white walls (painted in Dulux Vivid White), soaring skylights and feature pendant lighting. Breathtaking white steel doors open to the formal lounge and contrast with the olive-painted walls (Dulux Spanish Olive) and custom cabinetry by Albedor Industries in a soft grey with oak shelving.

“The brief for the back extension revolved around function, opening up the space to create a central hub of the home” states Lauren. “With the abundance of windows, we added sheers throughout to soften the light, and added indoor-outdoor functionality to the kitchen by adding in a servery window and bench from the kitchen to the barbecue area”. For Skye, this area is her favourite. Calm and relaxing - whether cooking in the kitchen or reading on the sofa - she loves the size and feel of it, and the beautiful sunlight that streams through. The kitchen features benchtops by Quantum Quartz and CaesarStone paired with tapware from ABI Interiors.

Apart from the obvious addition of storage in every room of the home, Skye’s favourite feature is the hallway skylights. “We had one in the plans and added another as we were building and then made them both as big as possible. They draw your eyes up as soon as you walk in the front door and flood the hallway with light”.




When it comes to the designer’s favourite features of the home, Lauren references the custom white powder-coated glass steel doors which are both visually impactful and practical. The joinery throughout the home is also a grounding feature, especially the use of the linear V Groove lines in parts of the joinery that guides your eyes upwards, accentuating the already high ceilings. Lauren’s other favourite material choice in the home is the stunning linen sheers.“They make the biggest impact - softening and making it feel homely and calm. The sage sheers in the formal living space, against the olive walls, along with the creamy oak shelves, terrazzo speckled stone, leather handles...this has to be my favourite space in the home”.







The norsu Design team were engaged not only to help with the home’s interior design but also its decoration, which was a huge advantage to Skye to ensure her finished home maintained a consistent and cohesive flow throughout all elements of the renovation.

“It’s the finishing touches to the home like the furniture, artwork and decor that truly bring the look together. Our interior styling and decorating services consist of curated packages that make it incredibly easy to achieve a seamless and sophisticated feel throughout the home, as we’ve always got the end result in mind ” explains Lauren.

Feature items seen throughout the home include artworks by local artists Prudence Demarchi, Jen Sievers and Jai Vasicek, furniture by norsu, Ethnicraft and Globe West, and lighting by Danish design house Muuto. To see all of the products featured take a look here. 



There’s a seamless blend of style and comfortable functionality in this family home. A calm and neutral palette, paired with light-filled sophistication, timeless finishes and thoughtful entertaining options that are sure to stand the test of time.


Looking ahead, what does the future hold for norsu Design? The answer lies in their latest and perhaps most ambitious project yet: the extensive renovation of Nat Wheeler's personal residence, also known as norsuHOME 2. With the renovation currently underway, the end result will be a dream home for Nat and her family, with stunning features such as 4.9m cathedral ceilings, separate living areas for adults and children, and an effortless blend of indoor/outdoor living and dining options, and a stylish curved pool. I am eagerly anticipating the final outcome of this project! Follow along on the journey here.

Image Credits

Photography: Simon Shiff
Styling: Nat Wheeler, norsu Interiors, Lauren Bartlett-Bragg - norsu Design Senior Interior Designer, Georgia Nixon - norsu Design Interior Designer

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