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THE DESIGN CHASER

Francis Gallery LA Presents Solo Exhibition by Sculptor Nadia Yaron

2.23.2023

American sculptor Nadia Yaron's first solo exhibition For the flowers and the clouds and the wind and the trees showcases a new body of work inspired by her deep connection with nature. The exhibition takes place at Rosa Park’s recently launched Francis Gallery LA, and features 31 sculptures made of wood, stone, and metal. The sculptures vary in size and shape, ranging from large totemic works over 6 feet high and weighing 1,000 pounds to talismanic miniature sculptures that can fit in the palm of your hand.


Images: Nadia Yaron at Francis Gallery L.A. Photographer Credit: Elizabeth Carababas

Following a move to Hudson, NY, Yaron repurposed a 19th-century barn as her studio and developed a strong connection with her setting. “As I was making these pieces, I realized I was in the middle of one long love affair with my surroundings: the flowers, the clouds, the wind and the trees,” she says. “I work mostly outside from spring to autumn and am immersed in nature. This show is a tribute, a way to say thank you to these elements for their beauty and wisdom and all the joy they bring to our lives.”


Images: Nadia Yaron Studio. Photography: Sharon Radisch

Taking daily walks in the Catskill Mountains, Yaron relishes discovering subtle moments in nature that act as a gentle reminder of impermanence. She finds the first flowers pushing themselves up from under the snow in the spring to be magical and powerful, inspiring her stone sculptures called First Bloom. Yaron's work includes carved clouds, inspired by the constantly changing Hudson skies, which have left an impression on her. She spends a lot of time contemplating the concept of transience and reflects on how humans often resist change.




Images: Nadia Yaron at Francis Gallery L.A. Photographer Credit: Elizabeth Carababas

Yaron's sculptures consist of stacked totemic forms that hold themselves in delicate equilibrium, with the heaviest piece of stone at the top. Purposefully imperfect and imbalanced, they evoke a sense of discomfort, dissonance, and a reminder of the fragility of life. Carving stone is a laborious process that requires patient and repetitive motions with hand tools to shape the unyielding material into curves and other forms. “I am deeply inspired by the beauty inherent in each piece of stone and wood I work with,” says Yaron. “As I’m carving, I feel as if I’m tapping into the history of our earth – it’s almost like a translation of ancient texts. It’s the recognition of something deeply known. I can feel the energy translated through my materials. If I empty myself enough, I can feel that energy move through me and out of my hands back into the material. It’s a circular flow of energy.”




Images: Nadia Yaron at Francis Gallery L.A. Photography: Elizabeth Carababas

For Yaron, spending time with nature has taught her that we are all connected and that it has much to teach us if we take the time to listen. She aims to inspire others to take care of and protect nature by sharing her own profound connection with it through her sculptures.


Images: Nadia Yaron at Francis Gallery L.A. Photography: Elizabeth Carababas

The show is on now and runs until March 25th.

About Francis Gallery
Francis Gallery supports and promotes the work of more than 25 artists across two spaces, in Bath, UK, and Los Angeles, US. In both locations, the gallery presents work in a grounding setting, where art coexists in harmony with its surroundings, evoking a personal space that celebrates art as a vital part of daily living. The gallery curates innovative exhibitions across multiple media and genres, with programming that emphasises contemporary Korean art and design, drawing on founder and gallery director Rosa Park’s Korean heritage.

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Interview with Good Form

12.02.2021

I recently took part in an interview series with Good Form. One of my favourite local furniture and lighting galleries, Good Form represents many global brands that I love such as Astep, Karimoku Case Study, STOFF Nagel and Ercol (to name a few), and every piece is carefully chosen for its beauty, functional design and enduring craftsmanship. Answering 10 questions, I talk about my love of Nordic Design, my creative process, what excites me about the design world right now, what I'm currently working on and more. 

Art Direction and Styling for Jacobsen Flooring, featuring the Ercol Canvas large cabinet designed by Norm Architects, from Good Form. 

Photography by Helen Bankers



Art Direction and styling for Jacobsen Flooring featuring the Astep Model 2065 pendant light by Gino Sarfatti, Nedre Foss Nunatak candle holder and Vannfall jug, all from Good Form. 

Photography by Helen Bankers


Now live, you can read the interview here.

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ALIUM Exhibition | The Reinvention of Forms by Jonas Bjerre-Poulsen

11.30.2020

Renowned Danish architect and photographer Jonas Bjerre-Poulsen has created his first Monograph, The Reinvention of Forms. A captivating curation, the cinematic compositions in black and white feature fragmenting bodies, architecture and nature, centred around a recurring motif of spherical shapes. To mark the launch, in an exclusive collaboration with ALIUM, a series of limited edition artworks are currently on display at the art gallery in Copenhagen. The exhibition features a carefully selected array of photographs from the book, sold exclusively through the gallery.





The striking collection demonstrates how Jonas Bjerre-Poulsen reinvents the forms around him as luminous images, creating intimate and enigmatic juxtapositions that invite the viewer to look again and imagine what lies beyond the frame. As a trained architect, Jonas Bjerre-Poulsen brings to life his understanding of tactility, minimalism and detail by anchoring his still life series around a recurring motif of spherical shapes and through rendering each image in exquisite black and white tonalities. Alongside the mesmerising aesthetics of the photographic work, The Reinvention of Forms also includes interpretations of Jonas Bjerre-Poulsen’s practice from his close friends and collaborators, including an introduction by the seminal Finnish architect Juhani Pallasmaa and a short fictional story by prize-winning Danish author Thomas Rydahl.





Having long admired the work of Jonas Bjerre-Poulsen, I love seeing his body of work celebrated in this way. I find the artworks intriguing and sensory, each one unique yet connected by a common thread, as beautifully described below... 
 
Nature’s imperfection is a humble reminder of old and new: of purity and impermanence. Its inherent sense of harmony is something to celebrate and be guided by. Our body measures our surroundings; it’s spatial properties, materiality, scale, distance. From our eyes to our skin and muscles, we perceive and understand our surroundings on a multi-sensory level. Without being fully aware of it, our vision projects our body and touch onto buildings, into spaces and surrounding nature; it touches distant surfaces, textures, edges, and our sense of touch tells us how to perceive these. Spaces are living voids defined by additions to space and deductions — the unseen matter and shapeless absence surrounding defined objects.









The Reinvention of Forms by Jonas Bjerre-Poulsen is exhibited at ALIUM Gallery from now through to 22 December and will be open for visitors by appointment only.

Images 1-8: Photography by Jonas Bjerre-Poulsen
Images 9-13: Styling by Charlotte Skytte Daugbjerg / Photography by Sofie Staunsager 

Images courtesy of ALIUM

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The Kinfolk Print Collection

6.12.2020

Earlier this year I introduced you to ALIUM, a new Copenhagen-based art gallery showcasing a curated collection of artworks and objects by handpicked artists. Today they have launched a new collection of art prints in collaboration with Kinfolk, The Kinfolk Print Collection.

Le Chat Chic by Luc Braquet

Things Fall Apart 01 by Pelle Crépin

Xavier Corberó 01 by Salva López

Many of you will be familiar with the captivating photographs that feature in the pages of Kinfolk. Each photograph that makes it into the magazine is judged on its ability to stand alone — and stand the test of time. Given that it can take several months and a dozen pairs of eyes to get from the first idea to the final image, it sometimes feels like a shame that magazines themselves are ultimately ephemeral.

It was thoughts like this that became the catalyst for the Kinfolk Print Collection: An edit of ten images from the magazine selected by the Kinfolk team in collaboration with ALIUM. Spanning architecture, art, animals and still life arrangements, the Kinfolk Print Collection features a curation of favourite shots and most enduring editorial images from the last two years.

Spot the Difference by Aaron Tilley

Soft Strokes 01 by Diana Dal-Pra

Muscle Memory by Dorte Tuladhar

Things Fall Apart 02 by Pelle Crépin

Xavier Corberó 02 by Salva López


Soft Strokes 02 by Diana Del-Pra


How to Wear a Hat by Simone Cavadini

Such a wonderfully unique and diverse range of art prints, I love how they have been styled in the beautiful interior spaces above. Ranging in size from 40x50 cm to 50x70 cm, each image has been reproduced as a high-quality Giclée print on 265g fine art paper.

The Kinfolk Print Collection is available worldwide via aliumcph.com

Lifestyle imagery: Styling by Sofie Brünner / Photography by Enok Holsegaard
Product imagery: Styling & photography by Sofie Staunsager

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ALIUM Gallery

3.30.2020

Today I’m excited to introduce you to ALIUM, a new multifaceted art gallery blurring the lines between art, design and interiors. An exciting project by Thomas Nissen, founder of the popular Copenhagen-based online emporium The Poster Club, ALIUM is located next to Frederiksberg City hall in a historic building, and showcases a curated collection of rotating artworks and unique objects from a handpicked selection of artists.

ALLIUM Gallery //— Styling by Tine Daring / Photography by Emil Monty Freddie

The name ALIUM, meaning ‘different' or 'unlike others' in Latin, reflects the fundamental thought behind the gallery, and its mission to offer an experience that extends beyond the visual. Altering not only the way art is displayed, but also the storytelling behind the works, ALIUM delves deeper into the narratives that surround them.

ALLIUM Gallery //— Styling by Tine Daring / Photography by Emil Monty Freddie

Challenging the traditional way of showcasing art and breaking down the barriers between home living and conceptual art, ALIUM changes and encourages the way individuals experience and buy art, online and in galleries. Existing in the space between interior design and art, ALIUM creates a fluid transition and a timeless expression that inspires visitors. Combining its Copenhagen roots and Scandinavian heritage, ALIUM places a great emphasis on uncompromising craftsmanship, focusing on quality materials, shapes and a simple aesthetic.

ALIUM Gallery //— Styling by Tine Daring / Photography by Emil Monty Freddie


ALIUM represents both established and upcoming artists, with a current selection of works by Anne Nowak, Amanda Betz, Carsten Beck, Annette Hallbäck, Linda Weimann, Noa Noon Gammelgaard, Sofia Tufvasson, Rebecca Hein and Malene Birger. An exciting line up that will evolve over time, there will be many more artists announced in the near future. Besides original artworks and objects, the gallery also offers a permanent print collection, ALIUM Archive, which is a series of open edition prints created by selected artists, exclusively for ALIUM.

ALIUM Gallery and founder Thomas Nissen //— Photography by Sofie Staunsager

Artworks are available worldwide via aliumcph.com with selected pieces available at the ALIUM Gallery, now open by appointment. The gallery will also be hosting a variety of vernissages, exhibitions and events. Understandably all planned exhibitions have been postponed due to Covid-19, but you can stay up to date by following the ALIUM website and Instagram page. 

Images courtesy of ALIUM

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