Artek Celebrates 90th Anniversary by Reintroducing Gems from the Archive

As part of Artek’s 90th anniversary in 2025, the iconic brand is reintroducing a selection of designs to honour its co-founders Aino and Alvar Aalto. These beloved pieces from the archive — both festive form and function — have been out of production for decades and are now returning to the Artek collection as limited anniversary editions or standard products.

Gems from the Archive includes Screen 100 in a wider range of heights to accommodate modern living, the return of Cabinet 250 to Artek’s standard collection, and two special limited editions of Stool X602 featuring the “X-leg”— one of Alvar Aalto’s most significant later innovations.

Screen 100 is the most architectural of Alvar Aalto’s designs — a room divider with a soft, undulating form inspired by the organic wave motif seen in many Aalto buildings. Now available in four heights — 100, 130, 150, and 180 cm — Screen 100 meets the needs of contemporary interiors, bringing both structure and sculptural elegance to a variety of spaces.

Beyond dividing rooms, Screen 100 can shield or conceal areas, create an inviting backdrop for seating, serve as an informal coat stand, or even provide an elegant, easy-to-install background for video calls — reflecting the evolving needs of the home.

Light and well-proportioned, the screen can be rolled up for storage and shaped to suit the space. It is crafted from Finnish pinewood, rather than the birchwood typically associated with Aalto furniture. Pine is a soft wood that grows throughout Finland, with a bold character that deepens into a rich patina as it ages gracefully.

Often referred to as the “cocktail cabinet,” Cabinet 250 rejoins the standard Artek collection following the success of a limited edition from the Artek + Moomin collection earlier in 2025. Simple in form and celebratory in function, its understated beauty makes it a stand-alone centrepiece for living and dining spaces, perfect for housing special tableware and refreshments.

While Cabinet 250 is credited to Alvar Aalto because of its L-leg, archival documents reveal that Aino Aalto first attached a cabinet body to this design. Its compact size and well-proportioned interior make it a practical storage unit for everyday items such as bed linen and clothing, reflecting Aino’s belief that no object or function is undeserving of aesthetic beauty.

Two special limited editions of Stool X602 celebrate ninety years of Artek, highlighting one of Alvar Aalto’s most refined innovations: the fan-shaped “X-leg.” First presented at the 1954 Konstruktiv Form exhibition at Stockholm’s Nordiska Kompaniet, the X-leg is a sculptural evolution of Aalto’s iconic L-leg. The hexagonal seat features a “curly birch” veneer applied with marquetry—a rare Finnish silver birch with wavy, irregular rings that create a fiery, richly textured pattern.

The stool is offered in two models: one fully honey-stained, the other with a honey-stained seat and natural lacquered legs, emphasizing the X-leg’s sculptural form. Each model is limited to ninety individually numbered pieces, making them unique collector’s items.

All pieces are crafted in Finland and will be available from 15 October 2025.

Photography by Joachim Wichmann, © Artek

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New and Noted

While the TDC Blog has been quiet since the latter part of 2024, as I’ve been fully immersed in styling, design, and writing projects, January, as always, brings an exciting array of design news—and I can’t let the month slip away without sharing some inspiring new projects and products that have landed in my inbox.

&Tradition Opens a New Showroom in Villeneuve-lès-Avignons, France

Located in Villeneuve-lès-Avignons, in the southern region of France, the new &Tradition showroom is located within a former papal residence dating back to the 16th century. Embracing the history and heritage of the building, whose architectural characteristics reflect those seen throughout the medieval town that surrounds it, &Tradition have taken care to preserve and restore original features, establishing a considered setting in which to showcase their timeless collection.

Providing a comprehensive overview of &Tradition designs from a variety of international creatives, both contemporary and classic, the space offers a curated experience of &Tradition's collection of furniture, lighting and accessories. With an emphasis on classic designs and outdoor furniture, the collection on display has also been selected for its relevance to the local market.

&Tradition Avignon showroom

14 Place de l'Oratoire, 30400 Villeneuve-lès-Avignon, France

Coco Flip Launches new Lighting Collection, Dancer 

Dancer is a new collection of lighting designed by Coco Flip in collaboration with Melbourne-based ceramicist Belinda Wiltshire. Belinda’s refined artistry and bold use of black iron oxide led the design process towards a collection of striking and distinct pieces including table lamps, wall lights and ceiling mounts.

Dancer takes inspiration from the Rriadisches Ballet developed by Oskar Schlemmer, who was part of the Bauhaus design movement in 1920s Germany. The ballet used fantastical costumes and strong geometry to transform the dancers and emphasise their movements. Each dancer piece aims to echo a sense of movement through form and pattern, bringing a strong and character-filled aesthetic to an otherwise minimalist light.

Belinda works from her pottery studio in Preston where each piece is wheel-thrown, hand-finished and fired. Dancer is crafted using mid-fire clay and brushed with black iron oxide, providing a striking contrast against the warm brown clay. Each lamp is offered in three striped finishes—wide, thin, and spaced. Table lamps are available in any combination of these finishes.

Images 1-4: Styling by Jess Lilico / Photography by Tom Ross

Image 5: Styling by Marsha Golemac / Photography by Pier Carthew

Ground Collection by Norm Architects and Massimo Copenhagen

Inspired by the textures and colours found in the natural world, the new Ground collection by Norm Architects and Massimo Copenhagen seeks to evoke a profound sense of home and belonging—serving as a tribute to simplicity and tranquility, seamlessly merging understated beauty with exceptional craftsmanship. Drawing from these earthy tones and subtle hues reminiscent of diverse landscapes, the collection transforms interiors into inviting and harmonious sanctuaries, and with a focus on tactile comfort and enduring quality, the rugs are designed to anchor spaces in calmness and warmth, creating a sensory experience that resonates on every level.

The humble rug is designed to feel at home wherever it is placed. It doesn't demand attention but rather sits comfortably within the space, serving as a foundational element that ties everything together. Ultimately, the aim of the collection is to offer a design element that not only enhances the visual appeal of a room but also contributes to a sense of balance and harmony within the interior environment, where the presence of nature is palpable and fosters a deeper sense of connection and well-being.

Photography by Irina Boersma

Dinesen Country Home Has Been Reimagined By Copenhagen Design Duo Mentze Ottenstein

Dinesen, Denmark’s foremost manufacturer of high-end wooden flooring, and five-generation family company, has crafted high-quality wood solutions since 1896. Their former family house, Dinesen Country Home, is located near the company's manufacturing facilities in Jels, Denmark, and has been an integral part of the Dinesen legacy since 2004 when the family acquired the estate. Recently, the residence underwent a thoughtful renovation by Copenhagen-based architecture and design studio Mentze Ottenstein, signalling a new chapter in the history of the estate and its role in the company.

Built in 1885, the residence is a traditional southern Jutland longhouse with a thatched roof, nestled amid lush green forestry, meadows, and lakes. As a place steeped in the Dinesen family’s history, the home is a living testament to the values and craftsmanship that define the company and the family behind it. While the original framework carried out by Overby was still sound, Mentze Ottenstein reviewed all surfaces and material compositions, introducing a fresh take on colour and working thoroughly with detailing to create a more harmonious experience. The Garde Hvalsøe kitchen features handcrafted cabinets have been painted an eye-catching shade of green as a nod to its countryside location. Elsewhere, a series of hand-turned ceramic bowls from Georgia sit comfortably alongside new walnut and pear kitchen handles. Further colour can be seen in the aisles and small chambers on the first floor, painted in golden ochre, creating a warm and intimate experience.

Fittingly, wood still takes centre stage as the central material palette within the house. The architectural Pawson Furniture Collection by John Pawson for Dinesen in Douglas fir, released earlier this year, sits elegantly next to antique furniture and a series of bespoke new furniture pieces designed by Mentze Ottenstein. These pieces have been made of ash with an oil finish resembling amber and a grain pattern reminiscent of black elm. In addition, deeper-toned wood selections such as walnut and pear are represented, for instance, in frames by Cassetta, which offers a flattering contrast to the light Douglas floors.

The house is designed to evoke a sense of home rather than a showroom while showcasing the stories of numerous exciting collaborations throughout the years. Primarily reserved for Dinesen's friends, design clients and relations to enjoy its breathtaking surroundings and inviting interiors, the house may also later be available for public booking on select dates.

Photography by Monica Grue Steffensen

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Dinesen and John Pawson Launch New Furniture Collection

Dinesen, Denmark’s leading manufacturer of handcrafted wooden flooring and products, has launched a bespoke furniture collection with revered British architectural designer John Pawson, to celebrate 30 years of collaboration. The Pawson Furniture Collection is based on the span of a Dinesen floorboard, whose pared-back forms consequently appear to be lifted directly out of the floor. This served as the inspiration and guiding principle behind both the Dining Series and the complementary new Lounge Series.

Having previously collaborated on projects of varying scale and type—including private homes, exhibitions, museums and chapels, the new furniture collection distills the ethos of the Danish word Umage, which means going beyond what is expected or considered possible, as it expands this sense of progression that Dinesen and Pawson bring to their work.

The origins of the Pawson Furniture Collection for Dinesen can be traced back to 1992 when John Pawson created an original furniture collection solely for Pawson House in London. While designing his private home in Notting Hill, John discovered Dinesen and opted for Douglas fir planks for the flooring. This decision led to the innovative use of uncut planks laid from the front to the back of the house and the creation of a table and stools from boards of corresponding width. A commission unlike anything Dinesen had previously delivered, its success ignited a lifelong friendship and business partnership between Thomas Dinesen, fourth generation and John Pawson. Their enduring collaboration continues to thrive today.

Pawson’s vision saw the floor become a crucial architectural element, and the bespoke furniture for Pawson House further championed Dinesen’s joinery in new and unexpected ways. The Dining Series features a table, bench, and stool, originally conceptualised by John Pawson in 1992 and updated with a shadow gap detail for this collection. The top and legs of the dining table are fabricated from two boards, with the shadow gap now subtly highlighted using a combination of Douglas fir planks and Dinesen Oak inserts. Stools and benches, constructed from single Douglas fir boards with solid central spines, complete the collection.

The Lounge Series is a new, complimentary addition to the original Dining Series, features pieces crafted from solid Douglas wood, including a lounge chair, lounge table, sofa, and daybed. Skilled local cabinet makers in Denmark have built the wooden frames, which are then upholstered with textiles sourced from the renowned Danish textile company Kvadrat. Each piece is made to order, allowing customers to select their preferred textile from Kvadrat's extensive upholstery library. The sofa and armchair showcase the boards on the side elevation, while the cushions continue the theme of assembled and layered elements. Similarly, the daybed and coffee table are conceived as lower iterations of the dining table, creating a cohesive and harmonious collection.

John Pawson reflects on the design of collection for Dinesen, remarking “When I look at this new furniture collection for Dinesen, I see the essence of the thinking that has shaped my work since the beginning. Everything about these pieces is pared back to the logic and poetry of the wood. The dimensions of the timber determine the proportions of the forms and then it’s all about the inherent sensory character of the material.”

Thomas Dinesen, fourth generation at Dinesen, comments on the new furniture collection: “When we met John Pawson in 1992, we provided planks only for castles, manors, and churches, and at that time, they were conical Douglas fir planks only. He was the first to request our wood for a private home, and he wanted planks of the same width (450 mm). John Pawson has in many ways changed our relationship with the 'plank' from a restoration material for historic buildings to a design element in modern architecture."

The Pawson and Dinesen relationship was first struck with Thomas Dinesen in 1992. Since Thomas stepped down in 2021, his son Hans Peter has taken the reins to continue the family’s connection with Pawson for this new furniture launch.

Hans Peter Dinesen, fifth generation, says of the new collection: "More than 30 years after Dinesen and John Pawson first met, we reflect on how far we have come but also to shape our future course. John has had a great impact on the way we view architecture and wood. When John ordered our wood for the first time in 1992, it was a renaissance for our flooring and the plank itself that became a furniture collection. Together with Pawson, we have refined our Heritage Furniture collection and added new pieces to pay tribute to our shared joy in the simple and timeless."

Photography by Claus Troelsgaard

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